![]() Oscars 2023: Best Makeup and Hairstyling Predictionsħ New Netflix Shows in October 2022 - and the Best Reasons to Watch New Movies: Release Calendar for October 7, Plus Where to Watch the Latest Films ![]() 'The Mole' Is Reality TV Catnip for Game Lovers Everywhere That’s what passes for a personal revelation in a documentary that affects the tone of a diary (Grande’s scattered annotations scribble across the screen every once in a long while), but comes off more like a bit of empty fan service that’s desperately trying to disguise itself as something more sincere. By that measure, Grande’s own Netflix showcase, “excuse me, I love you,” is nothing more than a harmless dose of pop doc porn.ĭirector Paul Dugdale’s tribute is so explicitly a fans-only affair identifies Grande’s mom with a subtitle that reads “need we say more.” It opens with the sound of screaming fans, ends with the sound of screaming fans, and peaks with the pop star relating a story about how all of her dogs started having explosive diarrhea while she was on a FaceTime call with Kristin Chenoweth. It was also quite good, and shaped into the flattering but fair-minded portrait of a young woman at war with her own self-worth on the world stage. The Netflix production provided a template for how mega-singers could weaponize major streaming platforms into carrying their water for them it showed them how the promise of intimacy was enough to eventize old tour footage into something that felt more candid than a commercial, and yet not so big that it would have to compete with the “break the internet” spectacle of a new Beyoncé special. But we never get to hear in the singer’s own words about what she has overcome to become the triumphant star we see belting high notes and dancing in impossibly tall thigh-high boots for thousands of weeping admirers.Taylor Swift’s “Miss Americana” was the exception to pop star documentaries that proved the rule. Grande has undoubtedly weathered more than her fair share of tragedy in recent years, from the horrific bombing at her 2017 Manchester Arena concert to the fatal overdose of her ex-boyfriend, rapper Mac Miller, in 2018. There are vague allusions throughout to the singer’s struggles, including an appearance from notorious music mogul Scooter Braun who gushes with pride about how far she’s come. The only problem is we don’t know what it saved her from. “I know it’s been hard, and I know it’s been a lot, physically and mentally,” she tells them, “but like, this show for sure, for sure, for sure saved my life this year.” The emotional climax of the film comes when, ahead of the final show of the tour, Grande chokes up during a speech to her crew of backup dancers and producers. The concert portions, filmed in London, are interspersed with footage of Grande giggling over an iPhone screen with different combinations of best friends and chatting with makeup artists over pre-show glam sessions. Though there is an amusing twist ending to the story (Grande had been FaceTiming with Broadway star Kristen Chenoweth at the time), a pet poop anecdote hardly qualifies as juicy or vulnerable behind-the-scenes dish.ĭirected by Paul Dugdale, excuse me, i love you documents a few select moments from the 27-year-old’s 2019 Sweetener tour. In fact-and I swear I’m not making this up-by the 55-minute mark, the longest non-performance segment features the “thank u, next” singer telling a story about her dogs getting diarrhea. This is about as deep as the film gets into Grande’s personal life, branded as a documentary but rarely probing beneath its subject’s glittery surface. At least, that seemed to be the main takeaway from Netflix’s excuse me, i love you, the concert movie about the popstar, in which too many people to count are identified with title cards anointing them “best friend” first, whatever their profession is second.
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